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  • In order to overcome the file size limitation, some cameras may increase the recording time by recording multiple files or multiple camera cards. PluralEyes can detect this and then merge the distributed clips into one clip, making file processing easier. The new feature of the latest version of PluralEyes is compatibility with GoPro cameras.
  • In previous versions of PluralEyes, there were more than 12 possible synchronization combinations (try to use, reorder fragments, etc.). This means that you must run the synchronization multiple times to synchronize properly. In version 4.0, PluralEyes analyzes the material and automatically uses the best choice. Just press the sync button and Plural Eyes can do the rest.
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  • A work that requires higher quality audio than the camera can capture. For example, if your DSLR camera often lacks audio recording capabilities, you can use a portable audio recorder to simultaneously record audio. (This is called dual system recording or dual-system audio.)
  • In this case, setting up a portable voice recorder is more convenient than using a long cable between the microphone and the camera.
  • Play or shoot music videos that play pre-recorded music. You can use PluralEyes to synchronize camera and performance audio materials with pre-recorded music files.
  • If the clips are not properly synchronized, exporting from PluralEyes to Premiere Pro now includes a color-coding option. This is also part of the Premiere Pro panel experience, but it also happens when you sync with Plural Eyes and export to Premiere Pro.

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